(2012, on Crossroads) That film was arguably one of the better-looking films I've ever been in, and some of the coolest music ever, including probably one of the greatest guitar duels ever to come out of Hollywood, between Steve Vai and myself, although it wasn't me. I was faking it all the way. But it's still a very cool project. Joe Seneca was phenomenal in that movie, Jami Gertz. And I'll run into people left and right who'll go, "Dude, Crossroads!" I was introduced to Sean Lennon, who did the score for this one film I did, Rosencrantz and Guildenstern Are Undead, and he just went on and on about how he tried to emulate the guitar duel from Crossroads, and all his guitar friends were obsessed with it... It was a Columbia film, and I was doing the Karate Kid films with them, and since that was pretty successful, they were trying to keep me in the family, at least for a little while. Our biggest concern was that it was still mentor-student, and we wanted to not necessarily stay on that path. But the film is very different in tone, and Walter Hill was a filmmaker who'd made his mark with The Warriors and 48 Hrs., and he was shooting Streets of Fire right before then. We just sort of hit it off and figured we'd go down this path with that film.
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