[on if she prefers working in independent film versus the studio system because of the more varied arrange of roles it may offer] I'm trying to work in studio movies, but they won't hire me. I get feedback from my agent saying, 'She's too much of an indie queen.' And then on the other side, my name doesn't get the financing to do a movie over $1 million. And I'm called 'the indie queen.' So it's really a challenging path because I know so much about the indie side of the business. Because I grew up in it. It's like I'm back in junior high here at Sundance. There's John Cooper and Trevor Groth and we all grew up together, you know? But it's different times. And this stuff gets projected onto me. People are like, 'You're here every year, you do so many indie movies.' And I'm like, 'No, I did Broken English (2007) five years ago.' It's just not the same. Our culture's not the same. Independent film and the way people go to the movies in the theater. Maybe it got oversaturated. I don't know...
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