[on trying to get involved in independent film] You know, it's been really difficult for me a long time. I got my start doing studio films so I've worked my way backwards in a way because I always wanted to do independent films but I got my start in these genre horror-type things, and those were the people that noticed me. The independent world didn't really notice me, so it's been a real struggle trying to break into this sort of thing. I spent years being told by independent financiers that I wasn't a big enough name to put in their films. I finally woke up one day, and I was like those aren't the only kind of independent films that are being made, there are just people out there who want to make good films. And they don't care how big the names are. It was during Sundance last year that I made that realization. And I finally made some calls and said introduce me to people at Sundance right now, introduce me to people because I want to be here next year, and it's kind of amazing how it worked out. The first person I met was Jonathan Schwartz, who produced the film [Smashed (2007)] and it all worked out. Last year, he produced Like Crazy (2011) and I was like okay, I want to meet those people. And, luckily, he slipped me the script [for "Smashed"], and I did a tape, and I eventually met with James [James Ponsoldt] and I just feel really grateful that I was able to put this goal in front of me and it was realized. It's kind of crazy.
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