[re origin of Inside Llewyn Davis (2013)] Ethan Coen We were in the office and Joel said, "O.K., suppose Dave Van Ronk gets beat up outside of Gerde's Folk City. That's the beginning of a movie. [Joel Coen adds:] It was an idea we kept coming back to. We were thinking 1961 is interesting, because it's the scene that [Bob] Dylan came into, not the one he created or transformed, because people know more about that. Dylan once said something - and I'm paraphrasing him - "Really, all I wanted is to be as big as Dave Van Ronk." That's how limited that scene was, in terms of the people in the broader culture. [Ethan:]...We did start thinking about Dave Van Ronk, and in fact read his memoir, which is kind of great, "The Mayor of Macdougal Street." But the movie's not about Dave Van Ronk, although Oscar [Isaac], the character, has his kind of repertoire. It's his music. It's a fictional character we gave his music to.
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