At the time [1987], I was really interested in urban films, and obsessed with hip-hop. Carhartt jacket, hoodie, Timberland boots. You wouldn't believe it now looking at me, but yeah, that was me. My closest friend, Peter Frankfurt, gave me a script by Gerard Brown and Ernest Dickerson, who was Spike Lee's cinematographer. Several years earlier, I had tried to persuade my father to finance She's Gotta Have It, but hadn't pushed hard enough! I read the script and loved it. Juice wound up being financed by Chris Blackwell. We went to New York and began the casting process, with Ernest directing. One of the people who we cast was a rapper named Tupac Shakur. He came in with another rapper called Shock G, who was auditioning. Shock G didn't work out, but Tupac asked if he could try. And just hit it out of the park. Everybody's jaw dropped. He left the room, shut the door, and then stuck his head back in and said, "By the way, you'd better give me the part because I know where y'all live." And he shut the door again. He got the part. He had a wicked sense of humor. I adored him and respected him in so many ways. But he was self-destructive. I'm still sad that he's no longer with us.
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